April 24, 2008 – 10:43 pm
It actually depends on the location of your studio. Soundproofing can give different sounds to your recording if you have to much or not enough. I have been in million dollar studios that have no soundproofing, and they record flawless.There are two aspects to soundproofing. Firstly, it is important that sounds coming in from outside […]
March 10, 2008 – 4:45 pm
The OASYS has everything you’d expect from a traditional keyboard workstation - phenomenal onboard effects, 16-track MIDI sequencing, plus all of the synthesis stuff I mentioned above. But what really makes it a “Studio” rather than just a “workstation” is a full function 16-track hard disk recorder, seamlessly integrated into the sequencing system. It even […]
March 5, 2008 – 2:18 am
Is this a payperview heavy weight title fight or what. I have been in the recording/music business for many years. Pro tools made a huge name for itself in the 90’s and it has carried thru to today. Many artists only know the word pro tools because its a word of mouth thing. But many […]
February 25, 2008 – 7:51 pm
Source: www.recordingreview.com check them out
For whatever reason, when people hear a home recording, they almost automatically say “I could do better than THAT!”. Of course, it turns out being WAY more difficult and most people give up and move on to something else. This doesn’t mean they don’t try a few times taking a few potential […]
February 25, 2008 – 6:33 am
One little word with two meanings.Normalizing, as far as Sound Forge or other digital audio editors are concerned, simply means to adjust the peak volume of a selection to a known value. Generally the recommended maximum is -0.5 dB (I think that’s 94.49% or something). Doing this is a no-brainer.Normalizing a set of tunes to […]
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